LA PANTERA IMPERIAL

The first step is to get J. S. Bach out of the musical space and lead him to makeup, to the dressing room, to the light, and to the word if necessary, to the inevitable movement, to the theater game, in short, to a theatrical reading of a music classic. Thus, the play looks for a theatrical reading of J.S. Bach music, which is not going to illustrate or envelope the theatrical discourse but further the opposite: it tries to internalize the musical process that is going to absorb the theatrical contents and transform them into musical literature ready to be read.